"The third collaborative album between Les Claypool & Sean Ono Lennon (the previous sold over 150,000 combined) is an elaborate concept record reflecting on morality, the warnings of A.I., and the slippery slope of optimization without empathy. Told across 14 songs - which ooze with classic psychedelic / progressive rock stylings - and the accompanying comic book by Rich Ragsdale, The Great Parrot-Ox and The Golden Egg of Empathy is a peak for both The Claypool-Lennon Delirium and rock music at large."

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"Orange County’s Social Distortion returns with its first album in 15 years with Born To Kill. Armed with 11 urgent songs, Mike Ness continues to build on the mystique that Social Distortion is more than just a punk band. Throughout the collection, Ness revisits the sounds of the 1970s, his formative adolescent years. For many, Born To Kill is a return to form, but instead, it’s a continuation of the bar of excellence that Social Distortion and, in turn, Ness has long been praised for. Born To Kill is a body of work that will live long in the Social Distortion catalog. Now nearly five decades into its career and with a remarkable catalog spanning nearly three generations, Social Distortion has no intention of slowing down any time soon."

"MUNA’s journey has always been about holding space for the complex, messy, ecstatic realities of life, and with their fourth album, Dancing On The Wall, they’ve never been sharper, darker, or more exhilarating. Emerging from the sparkly, confetti-strewn heights of their 2022 self-titled record, MUNA now channel the anxious, uncertain energy of living in a Los Angeles defined by political tension, environmental decay, and the quiet pressures of millennial precarity. The result is a record that feels both intimate and spectacular, a pop world built with teeth, wit, and emotional resonance, a soundtrack for hearts simultaneously on fire and observing the chaos around them. Across the record, MUNA explores desire, intimacy, and connection against a backdrop of a world in flux. There’s a quiet reckoning throughout the album with how to keep living, loving, and reaching for one another while bearing witness to political brutality and systemic violence and how joy survives without denial. Tracks like Wannabeher capture the dizzying thrill of stepping fully into someone else’s fantasy, while Why Do I Get A Good Feeling lingers long after the beat ends, a meditation on fleeting joy and suspended possibilities. The album closes with Buzzkiller, a stark reckoning with desire and its aftermath, the ache of achieving what you wanted only to realise new questions, doubts, and hungers remain."

"The debut album that started it all back in 1985. Remastered and featuring classic hits such as 'Tiny Town', 'Dean's Dream', and, of course, 'Bitchin' Camaro', this is the collection of songs that propelled the Milkmen onto the indie rock scene. Includes a download card with bonus tracks. First time on 'Bitchin' Camaro Red' vinyl."