"Few contemporary rock bands have generated as much admiration and discussion as Greta Van Fleet. Emerging from the small Michigan town of Frankenmuth in the late 2010s, the quartet quickly became the most visible standard-bearers of the New Wave of Classic Rock movement, drawing equal measures of acclaim and criticism for their unapologetic embrace of early 70’s rock sensibilities. Over the course of four previous studio albums, the band have evolved from super-ambitious revivalists into one of modern rock’s genuine arena attractions. Now, with Palace For The People, their fifth studio album and first full-length release since 2023’s Starcatcher, the band arrive at what feels like an important moment. Inspired by London’s Alexandra Palace, once known as “The Palace of the People,” the album’s central concept revolves around community, resilience and the shared experience of music itself. Rather than exploring cosmic mythology or fantasy-laden landscapes, the band appear to be turning their focus towards something more immediate and human." -John Hastings

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"If Remi Wolf’s first two albums, 2021’s Juno and 2024’s Big Ideas, were in technicolor, her third LP Mud is its more neutral, earthy and grounded sibling. Still colorful, as Wolf tends to be, but from a more rooted & grounded place. The rawness with which Wolf wrote the album is delivered in the sound: stripped away of synths and programmed drums, Mud is Remi Wolf at her most lyrically and sonically vulnerable. The songs evoke the feeling of singing around a campfire with just your friends and a couple guitars because that’s how it felt for Wolf to make it. But to find the clearing in the forest, she needed to make a whole new trail first."

"Just in time for what would’ve been Prine’s 80th birthday tomorrow, here comes a former RSD piece now put out on CD and regular-colored vinyl LP, and just because Prine was so great, this ranks above the usual collectors-only level. Five alternate versions and demos of tracks from the Lost Dogs and Mixed Blessings album – tied with the debut as my personal fave – plus five unreleased cuts from the same sessions that, with Prine now departed this world, are to be treasured. And if you’re a fan, be sure to swing by Twist & Shout on Saturday 10/10 between 1 and 4 PM to help us celebrate the genius that Prine is with three hours of music from across his career (curated by yours truly), and giveaways, courtesy of our friends at Oh Boy Records!"

"This album is a glimpse into the creative outpouring from Todd in September and October of 2025. He returned to the Purple Building in East Nashville to perfect what he called 'the sound of country music 10 years from now'. This meant taking his favorite country music tropes, dismantling and reassembling them over stretched-out, swampy grooves with New Orleans-style horns. He was so sure of this sound, feel, and his studio band's pliability that he insisted on recording his vocal and guitar first, with no accompaniment or click track. Todd wanted the band to record after him, so they would HAVE to follow his lead wherever it went. In his mind, he was attempting to write and record a double album. His excitement over the recordings and the push to capture that much material meant that by mid-October, Todd had recorded his vocal, guitar and the band's rhythm section for at least an album’s worth of material, with plans to continue recording. Sadly, Todd passed away before the remaining overdubs and additional songs could be completed. Fortunately all the notes, directions and encouragement he left behind in the form of emails, voice memos and demos provided an extensive roadmap for his band. Following that roadmap as closely as possible, his band was able to complete Todd's last work, My Second Rodeo, Part 1."